![]() ![]() You know what I should have done earlier? It's a dead format.Ģx "it should", 2x "you should", bravo certified MVP! Many of those answers are on this forum and they are all the same. Just use the presets that match your intended audience and then study up on video formats and compression.īTW, this question has been asked and answered hundreds of times. You should be using the Adobe Media Encoder to render h.264 MP4 files and unless you have expert skills and a thorough knowledge of video formats and compression you should never see the words Custom in a composition setting or a render setting. It should have been removed a long time ago. Apple never did a good job supporting h.264 in a QT container, it was buggy and unreliable, and they are not doing any further development. H.264 files should be in an MP4 container. mov and it will playback in the QT player just fine. If you really need QT movie that is encoded as h.264 then just change the extension to. Even when you could render h.264 QT's using the Render Cue, I never did and no one that I know that works in the film business professionally did either because the quality just was not there. Looking at more than one frame at a time is the foundation of MPEG compression. The Adobe Media Encoder does a better job encoding h.264 files by far than the Render Cue - Output module path is every capable of because the AME can look at more than one frame at a time and the Output Module cannot. If your files work on your system then you are lucky. I did not decide to stop supporting h.264 in a QT container, Apple did, because it was unreliable and unpredictable. Suprise, it will playback just fine on any media player because the MPEG is exactly the same. Take your QT h.264 files and just change the extension to MP4. ![]() Why would you want to render and deliver a product that will not work at all with the next release of the OS? It makes about as much sense as opening up a video store that only rents VHS tapes.īrandon. MP4 is universally accepted as the standard for playback on multiple devices. Read a full list of new features in After Effects 23.The point is that it never worked as it should have so Apple dumped it. Subscriptions to After Effects cost $31.49/month or $239.88/year, while All Apps subscriptions, which provide access to over 20 of Adobe’s creative tools, cost $82.49/month or $599.88/year. In the online documentation, the release is also referred to as the October 2022 update. The beta also introduces support for OpenColorIO (OCIO) colour management and the ACEScg colour space, both now standard in movie and visual effects workflows.Īfter Effects 23.0 is available for Windows 10+ and macOS 11.0+ on a rental-only basis. New beta features include the option to import 3D models in OBJ, glTF and GLB format directly into After Effects, rather than having to use a third-party plugin like Element 3D. However, for many users, the more significant changes will be the ones to the beta version of the software, released in parallel with After Effects 23.0 itself. There are also 50 new animation presets for motion graphics work, and workflow improvements to timeline navigation and the Composition Presets lists.ĭirect import of 3D models and OpenColorIO support now in beta Other changes include the option to encode videos using the H.264 codec directly from the After Effects render queue, rather than having to use Media Encoder. Other new features: native H.264 encoding and new animation presets Rather than having to create individual mattes for each layer than needs to be matted, users can now apply a single matte layer to multiple target layers. Use any layer of a composition as a track matteĪfter Effects 23.0 reworks the way that matte layers work, with a new Track Matte drop-down menu in the Timeline panel making it possible to define any layer as a track matte. The update was one of several to Adobe’s Creative Cloud tools announced at Adobe MAX 2022, including Character Animator 23.0 and Photoshop 24.0, along with the official release of Substance 3D Modeler. The latest beta build of the software, released in parallel with the stable version, get support for OpenColorIO colour management, and the option to import 3D models directly into After Effects. The release overhauls workflow for matte layers, making it possible to use any layer as a track matte, and adds native, hardware-accelerated H.264 encoding, plus 50 new animation presets for motion graphics. Posted by Jim Thacker Adobe ships After Effects 23.0Īdobe has released After Effects 23.0, the latest version of the compositing software.
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